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He finds the figuration of “The Woman” as a social symbol. His initial work features incomplete and dismembered figures, creating allegory to the war and the rural families disintegrated in pieces representing the moral and physical pain.
In his second phase that Mr. Moreira calls “fetal” he draws women without face, with elliptic forms, emphasizing the expression in the hands. He prefers drawing and in his mixed technique he utilizes the graphite, pencil of color and pigments. “Drawing is a challenge”, the artist says, “In it there are no corrections”.
Studious of Lugo, Moreira thinks that all though similar, it’s different. In its third and final phase he includes scenery (architectural influence), integrates its women with fruits simulating nature, and woman with labor, represented with clay compact objects, he intends to give to his work surrealist sense but also experiences with the abstract.
Presently, he draws the women bare as a form of imagination but from the social point of view of how women have been utilized as a product of marketing and shows the mimicry of the woman in society.
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